En Rama Sherry

A few years ago Equipo Navazos Sherries began to get a lot of attention, and this opened the floodgates here in the US - a new generation of wine lovers became interested in tasting and drinking Sherry. There are many special things about the wines bottled under the Equipo Navazos label. One of them is that the wines are bottled with minimal filtration.

Young whippersnapper wine connoisseurs such as myself may take this unfiltered thing for granted. Most, if not all of the wine I buy from Burgundy, the Loire Valley, and elsewhere is either unfiltered or minimally filtered. But with Sherry, this is typically not the case. A little over two years ago I wrote something about this that was fun (for me, anyway) to go back and re-read. At that point there were almost no unfiltered Sherries to buy here in NYS. Equipo Navazos, and Pastrana - a Manzanilla Pasada by Bodegas Hidalgo (La Gitana). Now, however, it seems as though everyone makes an unfiltered wine. I thought it would be good to revisit this subject, to take a look at the current NYC market for these wines.

First, a couple of basics:

Fino style Sherry (including Fino, Manzanilla, and wines from El Puerto de Santa Maria) is aged in barrel under a layer of living yeast, called flor. To bottle the wine without filtration would mean bottling bits of flor, perhaps still living, and various other solid matter. Most producers opt instead to bottle their wines after a heavy filtration. This allows the wines to be more stable during their overseas journey and the subsequent movement to warehouse and eventually to retail shelves or restaurant refrigerators. Stabilizing though it may be, this heavy filtration strips the wine of solid particles that contribute significant color, aroma, and flavor - the resulting wines are typically pale and without the complex aroma and depth of flavor that makes Sherry great. Consider the following quote from page 72 of Peter Liem's book Sherry, Manzanilla, & Montilla: a Guide to the Traditional Wines of Andalucia:

What is insidious about this, in our opinion, is that we as consumers are now trained to believe that the pale color of these wines in bottle is natural. In fact, fino and manzanilla are not naturally pale in color, nor are they particularly light in body, except perhaps in relation to other types of sherry. By definition, they are aged wines, having spent many years in cask - even the simplest of these is aged in barrel for at least two years, and the best versions for much longer. When sampling a fino or manzanilla from cask, its color is pronounced, is aromas are pungent, and its presence on the palate is much richer than one might anticipate. All of this is lost, or at least significantly modified, by excessive filtration.

When we fell for dry Sherry all over again, we fell for wines that had not been filtered in this way. Okay, Equipo Navazos filters wines before bottling, but lightly, "just to remove the flies," they like to say. But it is this lightly filtered style of wine that was our gateway drug. And as the market for fine Sherry continues to grow, more producers are releasing an en Rama, or unfiltered version of their brand. Here are those that I can think of off the top of my head:

• Tio Pepe now releases Tio Pepe en Rama (and also the Palmas, which are lightly filtered).
• Gutierrez Colosía bottled an en Rama version called Amerigo of their lovely Fino el Cano.
• Lustau released an en Rama Fino, a Manzanilla, and a wine from El Puerto. 
• Bodegas Hidalgo now releases an en Rama version of La Gitana.
• Valdespino releases an en Rama version of their Deliciosa Manzanilla.
• Barbadillo releases four en Rama versions of their Solear Manzanilla, one for each of the seasons (!!).
• And soon Fernando de Castilla will release an en Rama Fino.

I'm sure there are others and I'm just not remembering them right now. This is such a great thing for Sherry lovers. We can taste different versions of the wines we love, experience them in a state that is closer to what they were in barrel. But please notice that I did not say "better," I said different. Deliciosa is a lovely Manzanilla, brisk, saline, and focused. Deliciosa en Rama is excellent too, with more expression and detail of aroma and flavor. But it's also more spread out on the palate - less focused, and feels a bit rustic in comparison. That's not a bad thing. The en Rama bottling showcases one style of wine and the regular bottling showcases another.

All of these en Rama wines are worthy of your attention. But I have a favorite - let me tell you about Barbadillo's Solear en Rama. First of all, Solear is an excellent Manzanilla, averaging 7 years of age and fully expressive.

The unfiltered versions are also excellent, even better in my opinion, with an amplified lemon-enriched flor character and a more expressive saline minerality. What sets these wines apart, for me, though is the almost shocking complexity of aroma and the intensely savory nature of the palate. These things are true of the wine in all four seasonal releases, although the recent 2012 winter bottling was as darkly savory a wine as I've encountered. And the 2013 spring bottling is ridiculous, the best version of this wine that I've tasted, combining great focus and lightness of body with great intensity and richness of flavor. Joe Salamone at Crush has worked hard to bring these wines to the NYC market, and although they are gone for now, the summer 2013 bottles should be out soon.

If you like Sherry, and I think that you do, you should make a point to seek out and taste these en Rama wines. But as you do, I hope you will not feel that en Rama automatically means that the wine is great, or that it is better than its filtered counterpart. En Rama represents a style of wine, and you might prefer the more filtered counterpart. That's not wrong - Solear is delicious and so is Deliciosa. Drink both styles next to each other and see if you prefer one over the other. The amazing thing is that you can do that, with 375 ml bottles, for under $40. That, my friends, is something that will not last.

Sherry Fest 2013

The second annual Sherryfest just wrapped up in New York City. Peter Liem and Rosemary Gray did an excellent job once again, raising funds, organizing many people and events, and creating the largest Sherry tasting in the United States.

This year Peter and Rosemary hosted the Grand Tasting at the Astor Center. The space was perfect - brightly lit and cheerful, roomy, not too noisy, but humming.

This is such a special event, and here's why: most large tastings are put on by a particular importer/distributor. If you attend that tasting you do so to taste that particular book of wines. Sherryfest celebrates Sherry, not any particular importer, and brings together over 25 Sherry producers (and there really aren't many more than that) and 160 wines. This is a unique opportunity to learn about one of the world's greatest wines.

Jan Petterson of Fernando de Castilla was there, showing and discussing his wines. He is a wealth of knowledge and any time listening to him is time well spent. He brought along a new wine this year, the first ever bottling of Fernando de Castilla Fino en Rama - delicious. En rama translates literally as "on the lees," and it means bottled without filtration. This is a popular trend now and many producers are offering an en rama version of their Fino or Manzanilla.

Lorenzo García-Iglesias was there representing his superb lineup of Bodegas Tradición wines. Such a treat to be able to taste these great wines next to one another.

Antonio Flores, the master blender behind Gonzáles Byass, was there. He is such a lovely man, and so good at explaining the wines. Tío Pepe is the world's highest selling Fino, if I am not mistaken, and the soleras that create the wine are massive, the job of tending them is enormous.

Flores offers an en Rama version of Tío Pepe every year, and this one was delightful. Most of it goes to the British market, sadly. It was also an incredible treat to taste the four Palmas, the series of wines meant to illustrate to progress of Fino towards Amontillado. This year Flores showed the second batch of these wines, and they completely and entirely lived up to the hype. The wines are incredibly fine and wonderfully expressive.

I tasted the entire lineup of Barbadillo wines (minus the Reliquias, those elusive treasures) with importer Julio Baguer and his daughter. These are such excellent wines, and they are so accessibly priced. I remembered at this tasting that Solear is a lovely wine, very complex and expressive, entirely delicious. A wine like this, produced on a large scale, not the top wine of the house - a wine like this can get lost in the Sherry shuffle. But Solear is really a good wine. And that's just the beginning for Barbadillo. 

I enjoyed speaking with these and other producers I am familiar with, revisiting their wines. Sherryfest also offers the chance to discover new wines.

I had never before heard of or tasted the wines of Delgado Zuleta, for example. Apparently this is the oldest Sherry firm, founded in 1744! I enjoyed the whole lineup of wines, particularly the lovely Manzanilla called Barbiana. The wines are an average of 6 years old and show a deep complexity of flor character, and lovely balance and freshness. One taste at one large tasting is not sufficient to judge a wine, but based on my experience at Sherryfest, I will eagerly try a bottle of this wine when it appears on retail shelves.

Importer Robert Jordan said that it should retail for about $22 for a 750ml, a friendly price point for a wine of this caliber.

This year Peter and Rosemary thought it would be fun to bring Sherry cocktails to Sherryfest. They were correct. Four talented bartenders offered a Sherry cocktail of their choosing. I was expecting to enjoy these drinks, and still I was surprised at how good they were.

Joaquín Simó of Pouring Ribbons made a Coronation. Fino, dry vermouth, maraschino liquor, and orange bitters Delicious!

And Dan Greenbaum of The Beagle made one of my favorite cocktails (and something he introduced me to), the Adonis. This is a wonderful cocktail and it's not really that boozy, so you can have a few and not be drunk. He uses La Ina Fino, sweet vermouth, and orange bitters. So good.

Sherryfest is not only the Grand Tasting. There are seminars and dinners too. This year I attended a dinner at Maysville at which Bodegas Tradición and Bodegas Aecovi wines were paired with this restaurant's excellent cooking.

Oysters and bracing Fino or Manzanilla Sherry is an excellent pairing.

Bodegas Tradición introduced their new Fino at this dinner, and I loved it. Sadly, very little was bottled and we will have to wait to be able to buy this wine.

Delicata squash stuffed pasta topped with crab and almonds was a beautiful dish, and it elevated and was elevated by Bodegas Tradición Amontillado. Is it possible that the Tradición wines are underrated? I believe so. People new to Sherry are so focused on La Bota wines, and with good reason - they are great. But there is so much more out there, these great wines among them. 

Thank you Peter and Rosemary for creating this wonderful event! I'm already looking forward to next year...

Mid-Summer Laundry List

I've been meaning to write more, I really have. It's not as though there's been a shortage of interesting food and wine to discuss - it's been an embarrassment of riches. But I am trying to write when I have a story to tell, not simply to blabber on when I eat or drink something interesting. That said, the other day I was in Washington DC and had dinner with my pal Keith Levenberg, and he gently chastised me for not writing so much. He said that I shouldn't worry about writing the occasional "here is what I ate or drank" post.

I still disagree - I want to write when I have a story to tell. But sometimes one needs to get the proverbial juices flowing, and a laundry list post is a fun (for the writer, anyway) way to do that. So, patient reader, here is a mid-summer laundry list for you. Here are some things that I've been doing:

It's been over two years now, but I finally got my grill up and running again. Wow, I love to grill. With hardwood charcoal. The slow way, but the dee-licious and lighter-fluid-free way.

My pizza dough is beginning to be more consistent now too. It turns out that the small details are crucial - punching down, but not kneading the dough after it rises, for example.

I spent some time (and way too much money) with my daughters planting on our deck. For a while, things really looked great. Then it rained everyday for over a week. Then the heatwave came. Plants that like super hot weather are doing okay, like the poppies above. Many other things have simply wilted. Next year I will choose plants more wisely - things that like intense sun and heat. Because NYC in the summer is now essentially the same as Dubai. But there is no climate change, people!

There's been a lot of great wine.

Some of it fabulous and now very expensive wine from iconic vineyards, wines that achieved great heights.

Some of it more humble in terroir and aspiration, but capable of giving a different and also very valuable type of pleasure.

I drank a few wines that are beloved by many wine folk, but that are completely new to me. This one was utterly compelling.

I drank wine by producers I know and love, but wine that is new to me. This one is intensely sweet - a style that is hard for me to appreciate. But the quality here is simply impossible to miss and the wine was delicious and entirely expressive of place, even as a dessert wine. This is not an easy trick.

I am lucky to have generous friends who take pleasure in sharing their treasures.

And I try to do the same. This was my last bottle, and let me tell you - with 3 years of bottle age this wine is a finely tuned symphony of Manzanilla greatness.

It's been a great summer and summer is only a month old. The outlook for the net two months is quite positive. More soon.

Gratuitous Seafood Shots

The fish people are back at my market after their winter vacation. Actually they've been back Since the beginning of April but I've only recently gotten into the swing of things. And now all of the sudden we are eating a lot of seafood in my house. Here are some recent favorites, and the wine pairings that love them:

I've been making fish soup for years, ever since I learned how easy it is to make fish stock. Type "fish soup" into the 'Search this Blog' box on the left sidebar and you'll see a load of posts that include my attempts at fish soup. Just made my first of the season and wound up going for a saffron, tomato, and chili flake version. Honestly, it was very good.

 One night I drank a Provence rose with this soup, always a winning pairing. Another time I opened a bottle of 2010 Domaine de Veilloux Cheveny Blanc. This is an absolutely lovely little Loire Valley wine that Mike Wheeler's MFW company imports, and I bought it for under $15. It's mostly Sauvignon Blanc with a little Menu Pineau in there too. I've liked everything I've had from the Loire Valley in the 2010 vintage, and this is no exception - it's crisp and fresh and quite energetic, with herbal and creamy flavors, and it's well balanced and complex on the finish. The acidity worked well with the rich and slightly spicy soup.

There hasn't been a lot of Mackerel this year, not that I've seen anyway. These pieces were so fresh and pretty that I merely dabbed them with a bit of miso and mirin glaze and put them under the broiler. At home I cannot reproduce the amazing golden char that Japanese restaurants are able to achieve, but mine are delicious nonetheless. Many white wines are delicious with broiled Mackerel but on this night I went with a chilled Poulsard, 2011 Tissot Poulsard Vieille Vignes, and the fish brought out the savory side of the wine, while at the same time the wine brought out the sweetness of the fresh fish.

Oysters are a pleasure that I haven't learned to love with the same gusto as some other folks. But maybe it turns out that it is the large east coast variety that I do not love so much. That said, I was in Martha's Vineyard recently with a good friend and he loves the locally farmed oysters. I must say that with a bracing glass of the beautiful Emilio Hidalgo Fino La Panesa, this was a lovely experience.

And bay scallops? SO delicious, and they require no cooking. If you trust your fish monger, (and why would they be your fish monger if you didn't trust them), just pop them in your mouth. Or, add a little bit of olive oil, sea salt, and lemon zest. We ate these while making dinner, while drinking the lovely NV Agrapart Brut Les 7 Crus Blanc de Blancs. This was such a great pairing! Okay, scallops and Champagne, not so hard. But Agrapart's style, even in this, the house's basic wine, is one of focus and finesse. There is nothing sticking out and the wine is quiet. It would not be understood in a large tasting, I imagine. But with bay scallops, whose delicate flavors I did not want to obscure in any way, this wine was perfect. And sitting there at the kitchen counter enjoying the subtle and chalky citric tones of the wine with a bay scallop or two...pas mal.

That's it, just a little gratuitous seafood. You know, to whet your appetite.

Japanese-style Food, and Fino Sherry

I've been trying to cook Japanese food lately, and I've succeeded in cooking Japanese-style food. It's amazing how far you can get with a couple of miso pastes, some kombu (dried kelp) and dried shaved bonito flakes, some mirin and shoyu.

Here is one recipe that my daughters and I have been enjoying - Japanese-style stew with beef and potatoes. Disarmingly simple, and very satisfying, especially in this cold weather. You are essentially braising beef and potatoes in a mixture of Japanese sweet rice wine and shoyu. Here's what you do:

1) Watch the Shogun miniseries in it's entirety. This is 10 hours of your life well spent. And it gets you into the right frame of mind, as a foreigner attempting to do something Japanese.
2) Slice against the grain 1 pound of flank steak (but you can use other similar cuts) into pieces 1 inch thick, but leaving them the width of the steak. Brown the meat and remove from the pot.
3) Cut a large onion in half and slice it with the grain into long thin strips.
4) Peel two russet potatoes and cut them into chunky half moons, chunky enough to hold together in a braise. 
5) Peel a decent sized knob of very fresh ginger and grate it finely.
6) Mix together a quarter cup of good quality mirin with a quarter cup good quality shoyu, and 1 cup of good quality hand-poured water. This is the ratio that I like, but you can add more shoyu or mirin - they are strong flavors though and this combination is nicely balanced.
7) Saute the onions in the beefy pot, but don't brown them. After they have cooked for a few minutes, add the ginger and mix well.
8) Add the braising liquid and bring to a simmer.
9) Add the beef and the potatoes, bring to a boil and immediately turn down the heat to a simmer.
10) Cover with a Japanese drop-lid, or if like me, you don't have one, cover the pot with a damp piece of parchment paper and a tight-fitting lid. Every 15 minutes or so move the stew around the pot to make sure that all the meat and potatoes have a turn being submerged.
11) When the meat is very tender, maybe 90 minutes, turn off the heat and let the whole thing rest for 10 minutes or so.
12) Top with scallions and serve over rice.

Would it surprise you if I tell you that this dish is fantastic with Fino Sherry? A lot of Japanese food is great with Fino Sherry. There is the umami factor - Japanese home cooking and Sherry both have it, and they compliment and elevate each other tremendously. But it's more than that. As I understand it, one of the ideas in Japanese cooking is to bring out the essence of the ingredient, to accentuate the beef's beefiness, or the radish's radishiness, if you will. Fino Sherry, with its very pure chalky saline and savory flavors somehow enhances the purity of the flavors in Japanese dishes.

One night I drank Emilio Hidalgo's beautiful Fino called La Panesa with this dish, and I swear to you it was as good a pairing as any I've had in a very long time.

On another evening I made a simple Savoy cabbage, daikon radish, and pork dish, simmered again in a light mixture of mirin, shoyu, and water. First of all, this is seriously delicious. My young daughters were happily eating Savoy cabbage, that's how good it was. There was half a bottle of La Panesa leftover, and surprise surprise, it was a wonderful pairing.

Tonight I made tofu with snap peas, carrots, and onions simmered in a mixture of red and light miso pastes, mirin, and water. Again, the daughters lapped it up - these girls like the savory.

And I drank the old reliable Valdespino Inocente, a spirited little half-bottle. I'm telling you, if you're into Sherry and you haven't tried it with Japanese (or Japanese-style) food, you really should.

One day I will learn to make oden like this. Probably not, actually. But at least I had the sense at this restaurant to pair it with the very grand La Bota de Manzanilla No 22. As Morgan Freeman said at the beginning of the movie Se7en, "This isn't over - there are going to be more of these."

Drinking an Aged Fino Sherry.

The other night I was lucky enough to drink a fino Sherry sourced from Bodegas Valdespino, one of the finest Sherry producers. There are two things that make this wine very special. Firstly, it was selected from special barrels within the Inocente solera by Jesús Barquín and Eduardo Ojeda, two-thirds of the team behind Equipo Navazos. And Ojeda is the capataz, or cellar master, at Valdespino (and La Guita), and so you have to figure that the two of them chose interesting and very fine barrels. Secondly, it was bottled in April of 2007.

This wine had an average age of something like 10-12 years when it was bottled, but now it has aged in Peter Liem's cellar since release - it's almost 5 years in bottle. The common wisdom about fino Sherry is that you drink it when it's young, before it looses its freshness. There are some fino Sherries that probably should be consumed pretty quickly after release - those that are bottled unfiltered, and that still have small bits of flor floating about. The presence of flor makes it possible for the wine to continue to develop, to change in some way, and producers typically urge us to drink these wines within 6 months. I've heard Antonio Flores of Barbadillo Gonzales Byass say this about his palmas, for example. I do not have any personal experience cellaring a wine like this, so I cannot agree or disagree.

Regarding high quality fino Sherry, however, wines that have been lightly filtered - the common wisdom is wrong. You've read this here before, I know. The more personal experience I gain drinking fino with bottle age, the more I am convinced that this is a wine I am just starting to get to know. Like any other fine wine, it has an essential character, but it evolves in the cellar and shows differently as it ages.

Equipo Navazos la Bota de Fino Nº 7 was a wonderful old bottle. It was Peter's very last one, and it was generous of him to share it over dinner at Aburiya Kinnosuke in midtown. And if you haven't yet had Sherry with Japanese izakaya-style food, you really should try it. The fino needed a little air but it opened up beautifully, and at this stage in its life showed rich and mouth-watering notes of butter and toffee, although I was able to sense the delicate sea-sat mineral undertone. Peter smiled when I told him this, and explained that La Bota Nº 2 (also a fino sourced from the Inocente Solera) and 7 are very different from the current release, Nº35. They were brawnier and bigger upon release - Jesus was interested in making a bigger wine back then, I guess. With time in the bottle, though, I experienced Nº 7 as a delicate wine. Rich, but delicate.

We drank this next to my last bottle of La Bota de Fino-Amontillado Nº 24, bottled in October of 2010. This is a fantastic wine, Peter calls it "probably the best PX ever made." I've been fortunate enough to drink a lot of this wine, and it has changed since it was first released. On this night it was bright, energetic, and focused, and entirely delicious. What shocked me was how young it seemed, next to Nº 7.

There is a lot of life in these wines, plenty of potential for development in the cellar. It is my goal to be better about actually saving a few bottles. It's hard though because the wines are so delicious from the very start. Note to self: get some fino self control.

Scenes from Sherryfest

Two weeks ago, before the hurricane, there was Sherryfest. The main event, if you will, was a Grand Tasting held at Liberty Hall in the Ace Hotel. I think it's fair to say that the only human being in the room that day who was not in the least bit surprised was Peter Liem. He knew it would be a grand event, he knew that there would be way more people who wanted to be at the tasting than the space could accommodate, he knew that all of the producers would be there and pull out the great bottles, he knew that everyone would be blown away by the opportunity to speak with all of the producers and to taste all of the amazing wines.

Everyone else was at least a little bit blown away. You could see it on all of the faces - the childlike glee. It was dark in Liberty Hall and I had trouble getting good photos with my mobile phone. I want to share a few images anyway.

Felipe González -Gordon was there, of González Byass. He poured maybe 10 or 15 wines, including the rare and wonderful Palmas. He is holding a bottle of Cuatro Palmas in this photo. The Palmas had not previously been available in the US, and it is exciting to think about being able to drink those wines here.

Carmen Gutierrez of Gutierrez Colosía was there, along with her two very bright and lovely daughters. The Colosía Sherries are great in general, and I think that their Fino called El Cano (or not, depending on the importer) is a fantastic example of the style, showing a pronounced salinity that speaks of El Puerto de Santa Maria.

All of the Colosía wines showed very well on this day, and a highlight for me was tasting the three wines from the Solera Familiar. These wines are not yet available in the US, and I sincerely hope that there is an importer out there who will change this. These are stunning old wines that will thrill any Sherry lover.

Jan Petterson of Bodegas Rey Fernando de Castilla was there, pouring his four Antique Sherries and also his basic Fino to rapt audiences. I love these wines. They are deep and complex, and they speak so clearly. They happen to be well priced, too. David Bowler recently added these wines to his portfolio, and this I imagine will be great for everyone involved.

Lorenzo Garcia-Iglesias Soto was there representing Bodegas Tradición, the boutique Bodega that releases only four wines, all of them very old. There is a Palo Cortado, and Amontillado, an Oloroso, and a PX - there is no Fino. These are glorious wines and if you are interested in Sherry and haven't yet tried them, you really should. Lorenzo pours his Palo Cortado first, and I loved his explanation for why he does this. "This one has the most delicate aromas," he said. "It is floral and elegant. If I pour this after the more powerful Amontillado, the things that make this Palo Cortado so special will be lost."

Fernando Hidalgo of Bodegas Emilio Hidalgo was there. This is as classy a gentleman from Jerez as I have met. And the wines are superb. From the basic Hidalgo Fino to the older and more special wines, everything shows great character and finesse. The old Villapanés Oloroso is now available in the US, which is exciting. It is an elegant and deep Oloroso, and it adds to the lineup of Hidalgo Especial Sherries with the Fino La Panesa and the Palo Cortado Marques de Rodil. Now, if only we here in the US could buy El Tresillo, the great old Amontillado...

Marcelino Piquero (right) and Borja Leal represented Bodegas Sanchez Romate. I had never before tasted many of these excellent wines, as they simply do not appear on retail shelves. Romate is distributed by Southern, and Southern focuses on selling Romate's Cardenal Mendoza Brandy. I hope some one begins to focus on selling the Romate Sherries because they are quite good.

By the way, the food at the Grand Tasting was well planned and delicious. Croquetas, cheeses, and all sorts of tasty morsels. And the jamon station was much appreciated. I parked myself there for a solid 15 minutes, and no one seemed to mind too much.

Many other producers participated too, from Valdespino to El Maestro Sierra to Lustau to César Floridio. This was truly the greatest Sherry event ever on US soil, and I hope it was the first of many.

Equipo Navazos Dinner at The Spotted Pig

Sherryfest, as you know, was the US's largest ever set of tastings and events dedicated to Sherry. It was created, in part, to honor the work of Peter Liem, whose Sherry book was just released. Sherryfest began for me, I am incredibly lucky to say, at The Spotted Pig for a special dinner featuring the wines of Equipo Navazos.

 Jesus and Peter outside of The Spotter Pig. 

Jesus Barquin, one of the founders of Equipo Navazos, is the co-author of Peter's book. In order to avoid any perceived conflict of interest, Peter alone wrote the portion of the book that discusses specific Sherry bodegas, and Equipo Navazos did not participate in the Sherryfest Grand Tasting. So this dinner was a way of acknowledging Jesus' and Equipo Navazos' huge contribution to Sherry's resurgence in the US market. Also, the wines are pretty good...

This was one of the finest wine dinners that I have ever attended. All of the food was excellent, the wines were great, but what made this so very special (aside from the excited vibe in the room as Sherryfest was about to get underway) was the brilliant harmony achieved in each course.

Wine Director Carla Rzeszewski is an ardent Sherry lover and she, Peter, Jesus, and Rosemary Gray (Peter's partner in Sherryfest) did a wonderful job making this dinner happen.

But listen to this: Chef April Bloomfield, Sous Chef Edie Ugot on the left, and Spotted Pig Head Chef Katharine Marsh did a great thing in preparing for this dinner. They tasted every wine, talked about them with Carla, and created a menu that would brilliantly complement the wines being served.

Seriously. This was a wonderful dinner. A dinner that impressed me in its attention to the smallest of details.

Jamon Ibérico is such a wonderful thing to eat and I've almost always seen it served solo, so that its subtle and complex flavors can be appreciated without anything else getting in the way. Here, a salad featuring this gorgeous jamon. Earthy roasted sunchokes supported the jamon, and did not interfere. A few grassy pea tendrils mixed into the greens had much the same effect. The wines were perfect with this dish. Until Sandro Pilliego of Palo Cortado suggested otherwise, I had kind of assumed that one would drink an Amontillado or a more elegant Palo Cortado with jamon. At this dinner, it was white wine - the 2011 Navazos-Niepoort and La Bota de Fino No 35, both newly released. The tangy energy of these wines worked so well with this salad.

Tuna was poached in olive oil and topped with tomato. The menu said coriander, but I tasted fresh mint in there. This, for me, was a revelation. You know how Fino Sherry can show an oxidative side to its flavors (even though it is not an oxidized wine)? And you know how mint can leave a fresh, airy, and I would now say oxidative sensation in the mouth? Well, the mint in this dish and the gorgeously pungent and focused wines worked together in an eye-opening way for me. The mint highlighted the fresh and airy aspect of the wines in a very lovely way. The dish was paired with La Bota de Manzanilla No 32, the utterly wonderful latest release in a line of bottlings from the old Sánchez Ayala solera. And also with La Bota de Manzanilla Pasada "Bota NO" No 39, a wine that comes from a single barrel of Manzanilla Pasada from Bodegas Misericordia, of La Guita. This barrel is highly appreciated within that small Manzanilla Pasada solera, and therefore marked "NO" by the cellar master, to indicate that it should not be touched for blending or for any purpose, really. But Equipo Navazos was able to bottle a small amount, and this will be released soon.

And here was, I can honestly say, as fine a pairing as I have experienced in 2012. Thick slices of maple syrup roasted pork belly, with crackling and crunchy skin on the end, some wild mushrooms and fennel. If there ever were a light and elegant version of pork belly, this was it. It was paired with two dark Sherries, La Bota de Amontillado No 37 and La Bota de Oloroso "Pata de Gallina" No 34. No 37 is an Amontillado that comes from a small solera in one of the La Guita Bodegas, and it is a thing of beauty. Saline, nutty, perfectly balanced and deeply complex, the way this wine worked with the pork was kind of stupefying. This is not to sell the lovely No 34 short - it also is an excellent wine, coming from an old Juan Garcia Jarana solera that was purchased by Lustau and released under its Almacenista label, and then sold to Fernando de Castilla, where it was bottled for this release. It is a very elegant and delicious Oloroso, and I need to spend more time with it because I will admit that I was so blown away by the particular synergy between pork belly and No 37 that I hardly paid attention to anything else.

Such an wonderful evening! So great to gather with a load of NYC Sherry lovers and wine industry big shots, all in honor of the beautiful Equipo Navazos wines, of Peter Liem and his great new book, and of the festival of Sherry that he helped to create.

We left a lot of empty La Bota bottles sitting there on that counter in The Spotted Pig. We wandered out into the night, our stomachs full, our whistles whetted, smiles on our faces, ready for the Sherryfest to come.